Click here for Imperial Place Location MapThe Kyoto Imperial Palace (京都御所, Kyōto Gosho?) is an imperial palace of Japan, though the Emperor of Japan is not in residence. The Emperor has resided at the Tokyo Imperial Palace since 1869 (Meiji Restoration) and ordered the preservation of the Kyoto Imperial Palace in 1877.
Today the grounds are open to the public, and the Imperial Household Agency hosts public tours of the buildings several times a day.
The Kyōto Imperial Palace is the latest of the imperial palaces built at or near its site in the north-eastern part of the old capital on Heiankyo after the abandonment of the larger original Heian Palace (大内裏, daidairi?) that was located to the west of the current palace during the Heian Period. The Palace lost much of its function at the time of the Meiji Restoration, when the capital functions was moved to Tokyo in 1869. However, the Taisho and Showa Emperors still had their coronation ceremonies at Kyōto Gosho.
How to get there
Kyoto Imperial Palace can be reached in about 10 minutes from Kyoto Station by the Karasuma Subway Line. Get off at Marutamachi or Imadegawa Station. Imadegawa Station is closer to the agency's office.
Click here for map
The Buildings and Grounds
The palace is situated in the Kyōto Gyoen (京都御苑, kyōto gyoen?), a rectangular enclosure 1.3 km north to south and 0.7 km east to west which also contains the Sento Imperial Palace gardens. The Gyoen dates from the early Edo Period when the residence of high court nobles were grouped close together with the Palace and the area walled. When the capital was moved to Tokyo, the residences of the court nobles were demolished and most of Kyōto Gyoen is now a park open to the public.
The Imperial Palace has been officially located in this area since the final abandonment of the Daidairi in late 12th century. However, it was already much earlier that the de facto residence of the emperors was often not in the Inner Palace (内裏, dairi?) of the original Heian period palace, but in one of the temporary residences (里内裏, sato-dairi?) in this part of the city and often provided to the emperor by powerful noble families. The present palace is a direct successor - after iterations of rebuilding - to one of these sato-dairi palaces, the Tsuchimikado Dono (土御門殿, tsuchimikadodono?) of the Fujiwara clan. The Palace, like many of the oldest and most important buildings in Japan, was destroyed by fire and rebuilt many times over the course of its history. It has been destroyed and rebuilt eight times, six of them during the 250-year-long peace of the Edo Period. The version currently standing was completed in 1855, with an attempt at reproducing the Heian Period architecture and style of the original Dairi of the Heian Palace.
The Palace Grounds include a number of buildings, along with the Imperial Residence, or dairi (内裏). The neighboring building to the north is the sentou (仙洞), or residence of the retired Emperor, and beyond that, across Imadegawa Avenue, sits Doshisha University. The Imperial Household Agency maintains the building and the grounds. They also run public tours, requiring a passport or Alien Registration Card and at least 20 minutes advance notice before allowing foreign visitors into the Imperial Palace. [Note: "Visiting Procedures for Foreigners -- Kyoto Imperial Palace". Retrieved on 2007-09-12.]
The main building on the Palace Grounds includes, among other halls, the Shishinden (紫宸殿, Hall for State Ceremonies), Seiryōden (清涼殿, lit. 'cool, refreshing hall'), Kogosho (小御所, Court Room), Ogakumonsho (御学問所, Imperial Study or Library), and a number of residences for the Empress, high-ranking aristocrats and government officials.
The main gate on the front, south, side of the Palace has a cypress-wood roof, and is supported by four pillars. This gate would have been used on the rare occasions of the Emperor welcoming a foreign diplomat or dignitary, as well as for many other important ceremonies of the State. To the sides lies a fence separating the inner areas from the general Palace Grounds, and just past this main gate is a second gate, painted in vermillion and roofed in tile, which leads to the Shishinden, the Hall for State Ceremonies. The Shishinden was used for such important ceremonies as the coronation of an Emperor and installation of a Crown Prince. It is 33 by 23 meters in size, and features a traditional architectural style, with a gabled and hipped roof. On either side of its main stairway were planted trees which would become very famous and sacred, a cherry (sakura) on the eastern, left side, and a tachibana tree on the right to the west.
The center of the Shishinden is surrounded by a hisashi (庇), a long, thin hallway which surrounded the main wing of an aristocrat's home, in traditional Heian architecture. Within this is a wide open space, crossed by boarded-over sections, leading to the central throne room. The Throne itself, called takamikura (高御座), sits on an octagonal dais, five meters above the floor, and could be separated from the rest of the room by a curtain. The sliding door that hid the Emperor from view is called kenjou no shouji (賢聖障子), and had an image of 32 Chinese saints painted upon it, which became one of the primary models for all of Heian period painting.
The Seiryōden sits to the west of the Shishinden, facing east. It, too, has a hipped and gabled roof, and is comprised primarily of cypress wood. Originally a place where the Emperor would conduct his own personal affairs, the Seiryouden was later used for various gatherings and meetings as well. In the center is an area where the Emperor would rest, and on the east side of the hall, an area of two tatami was set aside for dignitaries and aristocrats to sit. Here was where the Emperor could conduct formal affairs. On the north side of the hall was an enclosed area where the Emperor would sleep at night; later, Emperors began to use the official residence. The west side was set aside for the Emperor's breakfasts, and also contained the lavatories, while the south side was used by the keeper of the Imperial Archives. This area contained paintings by the masters of the Tosa school, and just outside, various rare bamboos were planted.
Comments