L'église Saint-Eustache is a church in the Ier arrondissement of Paris, built between 1532 and 1632.
Situated at the entrance to Paris’ ancient markets (Les Halles) and the beginning of the famous rue Montorgueuil, the Église de Saint-Eustache is another Parisian gothic gem. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here two decades later. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
History
Situated in Les Halles, an area of Paris renowned for fresh produce of all kinds, the church became a parish in 1223, thanks to a man named Alais who achieved this by taxing the baskets of fish sold nearby. To thank such divine generosity Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name "Saint-Eustache" refers to Saint Eustace, a Roman general who was burned along with his family for converting to Christianity.
According to tourist literature on-site, during the French Revolution the church was (like most churches in Paris) desecrated and looted, and used for a time as a barn. However, several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Messiah here in 1886.
Description
The church is an example of a Gothic structure clothed in Renaissance detail, and has been attributed to Italian-born architect Domenico da Cortona. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaisance style, while the right tower remains a truncated stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L'écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture made of silver stands in a chapel of the church in memory of the epidemic of AIDS deaths during the 1980s.
Organ
With 8000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ was originally constructed by Ducroquet and later modified under the direction of Joseph Bonnet. The present instrument was designed under the direction of Titular Organist Jean Guillou and dates from 1989 and was built by the Dutch firm of Van den Heuvel retaining a few ranks of pipes from the former organ.
Click here Saint Eustache gallery
located near the metro station: Les Halles.
Click here for Saint Eustache Map
Situated at the entrance to Paris’ ancient markets (Les Halles) and the beginning of the famous rue Montorgueuil, the Église de Saint-Eustache is another Parisian gothic gem. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here two decades later. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
History
Situated in Les Halles, an area of Paris renowned for fresh produce of all kinds, the church became a parish in 1223, thanks to a man named Alais who achieved this by taxing the baskets of fish sold nearby. To thank such divine generosity Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name "Saint-Eustache" refers to Saint Eustace, a Roman general who was burned along with his family for converting to Christianity.
According to tourist literature on-site, during the French Revolution the church was (like most churches in Paris) desecrated and looted, and used for a time as a barn. However, several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Messiah here in 1886.
Description
The church is an example of a Gothic structure clothed in Renaissance detail, and has been attributed to Italian-born architect Domenico da Cortona. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaisance style, while the right tower remains a truncated stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L'écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture made of silver stands in a chapel of the church in memory of the epidemic of AIDS deaths during the 1980s.
Organ
With 8000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ was originally constructed by Ducroquet and later modified under the direction of Joseph Bonnet. The present instrument was designed under the direction of Titular Organist Jean Guillou and dates from 1989 and was built by the Dutch firm of Van den Heuvel retaining a few ranks of pipes from the former organ.
Click here Saint Eustache gallery
located near the metro station: Les Halles.
Click here for Saint Eustache Map
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